The story begins in 1978, in the fictional union of Slavia, where the society is under oppressive communist rule. Citizens like artist Ludwig Kirchner endure harsh conditions in concentration camps, while the ruling elite indulge in luxury and moral decay. The regime’s control permeates all aspects of life, utilizing media, arts, and education as tools for propaganda and teaching. This portrayal offers a stark contrast between the suffering populace and the privileged few in power. With the introduction of Perestroika; which literally means restructuring, in 1989, Slavia experiences a momentous shift. The collapse of the old order brings both hope and chaos for the people. Former crime boss Ivan Fiorov seizes the moment to lead the newly formed ‘Freedom Party,’ ushering in a wave of insecurity reminiscent of the previous dictatorship. The revolution is marked by a complex interplay of revenge, redemption, and the quest for truth.

Cerqueira’s narrative structure is notable for its ensemble cast of characters, each providing a unique perspective on the changing landscape of Slavia. President Alfred Ionescu, once an influential leader, finds himself confined in an asylum of his own making. Zut Zdanov, the head of culture, faces the haunting specter of his dark past in an encounter with allegations of child abuse. Helena Yava, fueled by the grief of losing a lover, seeks vengeance by any means possible. Igor Olin, the steward of the economy, battles for the dignity of his disabled son in a world grappling with change. Meanwhile, art historian Silvia Lenka delves into the mysteries of her own parentage. The characters are intricately developed and portray some strong powerful ambitions to exact their means and reflect the multifaceted human responses to political turmoil when it comes to survival in a rapidly transforming society where hope hangs by a thread.

The novel’s prose albeit slow is both vivid and unflinching, painting a realistic picture of life under an authoritarian regime and the subsequent tumultuous shift towards a fledgling democracy. The pace balances the heavier themes of politics, tragedy, and desperation well. Cerqueira’s attention to detail and historical context enriches the narrative, making the fictional Slavia resonate with authenticity, and holds stark relevance to present times. The themes explored are timely, drawing parallels to contemporary global issues such as the resurgence of populist leaders and neo-nationalist movements worldwide. Clever and timeless, the novel provides a logic and reasoning as to why authoritarian regimes fail and are detrimental to the progress of any country and its people. The book reminded me much of Bulgakov’s ‘Master & Margarita’ where similar shades of chaos, anarchy, and insanity reigns.

‘Perestroika’ has garnered critical acclaim, winning the 2024 Independent Press Award and the 2023 Historical Fiction Company Book of the Year. These accolades underscore its significance as a work that not only reflects on past events but also offers insights into present-day socio-political dynamics, and emphasizes on how those in power should be mindful of exercising their political powers and its consequences, if led with greed.

In conclusion, ‘Perestroika: Eye for an Eye; Tooth for a Tooth’ is an eye-opener that cleverly captures a pivotal moment in history through the lens of a fictional yet relatable setting. Cerqueira’s storytelling invites readers to reflect on the complexities of political change and the enduring human spirit in the face of adversity.

Please note: I received an ARC from the author but the review remains unbiased.